Tuesday, March 5, 2013

A transgender evening with Esmeray


Esmeray is a transsexual Kurdish artist, a former prostitute and feminist, she lives and works in Istanbul. Güldem Durmaz knows her well; the director has talked about this personality from Istanbul's night-life in her film Ben / O (me/he).

A transgender evening with Esmeray, Saturday 17 September at 9:00 p.m.

At the beginning, she was called Memet. Very soon, this little shepherd from a Kurdish village near Kars in eastern Anatolia, began to feel a difference, an uneasiness regarding his social role as a young male. One evening in front of the television, a realization: the singer Zeki Müren, the famous transvestite of the Turkish pop scene. There are others, elsewhere, who share this difference. Elsewhere was Istanbul and the search, in the disreputable quarters on the banks of the Bosporus, for others like oneself, like him, like her. Then began the long process for Memet of bringing Esmeray (literally the brown moon) to the world, the assumed, final incarnation of the woman inside him. There is only one profession open to a young transsexual in the metropolis: prostitution. But during her long stay in the Beyoğlu and Tarlabaşı quarters, Esmeray again felt imprisoned within a forced social role. To break out, she became a street vendor selling stuffed mussels… Then one day, she decided to tell her story in the form of an autobiographical performance titled The Witch's Basket which she presented in Berlin, Cologne, Brussels, and today, Paris.

She retraces her journey with a humor of rare bluntness, proffering a truly troubling object - a cross between confession and harangue - which blithely reveals her colorful personality while questioning others. "Starting with the story of my life as a transsexual, I throw some light on the back alleys of my sexual relations with people both political as well as apolitical," explains Esmeray. "I speak of the face that the men crossed in the alleys do not show to women, the measurements that the women do not see in the mirror… All that the one does not give to the other."

While gradually establishing herself as an artist – Esmeray appeared in several shows in Istanbul, especially in plays by Dario Fo – she began to fight, along with various associations, for transsexuals and all others neglected by a society marked by sexual domination. It is at that moment that we met and that I had the desire to expand on some of the questions explored by Esmeray. I first filmed her walking down these streets, her territory, the way she is today, then in the dress of the man she ceased to be some eighteen years ago, passing through the same locations, at the same hours, while capturing the similarities and the differences in her attitude and in others' eyes. In her shadow.